Rhian Ramos made her debut years ago as a well-known fast food advertisement star. Soon after, she discovered that she had changed from a commercial model to one of the most prominent ingénues on television, the kind of person who many a vile villain has dunked into a toilet to end her histrionic fits, according to People Asia’s article, the.
The pleasant break for Rhian, who frequently plays the role of the resentful lead in some heartbreaking evening title. Ita a tremendouserful challenge for me because typically, I’m the one getting slapped, immersed in the toilet, or both (so it’s usually me). But this time, it’s her turn, she quips with a sinister grin.
Rhian, whose stage persona is one of power amid vulnerability, is represented by the initials R. She never fears a role!
A similar critical, pivotal moment in her lesbian coming-of-age soap opera The Rich Man’s Daughter, in which she plays Jade Tanchingco, a stubborn yet overprotected only child of a wealthy Chinese clan who is incredibly conventional and unwelcoming of alternative viewpoints. Jade develops feelings for the mestiza and sweet-looking Althea (Glaiza de Castro), who is self-made and self-ass but yet reluctant to admit her feelings, for some are on the same gender spectrum as her.
Her conflict and the range of emotions on her face are a gem. Uncertainty about what it wants to make it precious.
“I agree that vulnerability is a strength,” says Rhian. “And I will be the first to admit that I was bad when I started all this [acting]. But now that I’ve gotten some depth in [performing], it is where I set free all the things I can’t be and I can’t do. Acting to me is freedom. Every second between the words’ action’ and ‘cut’ is freedom. If you’ve ever fallen for someone but are with somebody else? That’s how it feels. You can’t act upon that in the real world, but you can in movies. I put in working all the bad, all the forbidden, and taboo things I wish I could do.”
She has been nominated for many of her roles, including one for 2012’s FAMAS Best Actress for The Road, because of her on-openness and willingness to be uncomfortable. The waif with curves, the dream lady who could be vixen and tenderness if you played your correctly, with a look so dark the twilight would be envious, is also essentially what got her into the FHM 100 Sexiest list.
She is now depicted on the cover, radiant by a body located inside the grounds of a medieval, brutal French chateau, playing amid the long grass and flowers, attractive and dangerous like a fey creature. You can either drown in her eyes or see her figure edition. Rhian grabs your attention and returns your admiration, so you don’t look directly at her. In the wilderness, there were mirrors everywhere.
